Posts Tagged ‘writing’

A while ago I was interviewed by Carol(ina) from Genre of the Month. I had fun with the interview and asked her if I could reprint it here.

Chris Rettstatt is the author of the sci-fi & futuristic new series Kaimira (first book, The Sky Village).

1.) What made you start writing?

When I was eight, I read Where The Sidewalk Ends by Shel Silverstein, and I immediately began writing poems. Within a few hours I’d filled up a notepad with poems. And since then, I never stopped writing.

2.) If you weren’t an author what would you be?

I sometimes joke that I’m a children’s book author who wishes he was a linguist. That’s because I love language and grammar, and I love studying foreign languages. I also like making up my own languages, which I’m doing with the Kaimira Code. But that’s mostly a joke, because as much as I love those things, I love writing even more.

3.) How did you choose you character’s names?

My wife’s nickname is Longmei. She was born in the year of the dragon, which is “long” in Chinese. Adding “mei” which means “sister” in Chinese, makes it into a nickname.

When I first started developing Rom’s character and his tribe, I was drawing inspiration from Romani cultures (sometimes called Gypsies). And then ROM has a techie meaning as well, as in CD-ROM, and so I just kind of liked it.

4.) What’s the best thing about being an author?

No matter what I do, whether traveling to other countries or standing in line at the supermarket, it’s all research.

5.) What’s your ideal writing spot?

I do a lot of writing in coffee shops, particularly when I’m traveling, but I’d have to say my favorite spot is my desk at home. I’ve got everything I need there and plenty of room to pace around.

6.) How did you come up with the idea of The Sky Village?

I was sitting outside, trying to imagine this strange future world I had just started to create. What would my characters see and hear? I looked up at the clouds, and the idea just hit me — a village made of hot air balloons.

7.) Why YA?

I don’t think so much about the age borders around books. When I was in my teens, and even before, I read whatever looked good, and even now I have a hard time remembering which of those books were technically written for young adults. So I just write for the sort of reader I am, and the sort of readers my friends tend to be. And lately, a lot of the best books that fit my personal taste happen to be YA books.

8. Do you ever come up with play lists for your books? If so, what are the songs?

I did have a playlist while I was working on The Sky Village. The songs included:

9.) Do you have any advice for aspiring authors?

I believe my best advice can be drawn from my playlist. It’s somewhere between “Don’t Give Up” and “Where Is My Mind?”

Ok, my actual advice comes in two parts. On the one hand, you have to know the business of the business. You have to become familiar with what books are being published and read lots and lots and lots of them. Pay attention to the publishers. Subscribe to newsletters that keep you updated on publishing trends. Join your local SCBWI (Society of Children’s Book Writers and Illustrators). Think of yourself as a partner in the publishing process.

On the other hand, you can’t let the business steer you. Stay flexible, and listen openly and humbly to feedback you get. But at the end of the day, it’s your story, and you have to trust your creative instincts. If you aren’t fiercely loyal to your creative vision, nobody else is going to be.

10.) Which character are you most like? (Can be from any book)

When I was a teen, I wanted to be like the Motorcycle Boy from Rumble Fish. But wanting it didn’t make it so.

11.) If you could collaborate with any author dead or alive who would you pick?

I’m not sure I like the idea of collaborating with a dead author. But assuming he wouldn’t be a zombie or vampire, I’d have to choose Dostoevsky. Not that he’d be all that pleasant to work with, but I could just sit at his feet and try to soak in some of that brilliantly layered characterization.

12.) Do you have any upcoming books?

Kaimira is a five-book series, and I’m currently hard at work finishing up #2, which is called The Terrible Everything.

13.) What is your favorite food or snack to eat when you’re writing?

I can’t say that I snack much while I’m writing, but I do drink a lot of strong coffee before lunch and then a lot of green tea after lunch.

14.) What were some of your favorite books when you were younger?

Lord of the Rings, The Dark Is Rising, A Wrinkle In Time, The Outsiders

15.) Do you have any pets?

Right now I travel too much to keep a pet, but I grew up with all kinds of pets running around. My dad used to rescue stray animals and bring them home, everything from hungry dogs to a pig that fell off a truck. My most recent pet, before I moved away from home to go to college, was a ferocious kitten named Grendel: Slayer of Grasshoppers.

16.) Does writing cut into your family time?

It helps that I’m a morning person, and I get my best work done before anyone else wakes up. But my twins know that I can’t resist playing with them every day, even when I’m under deadline.

17.) Do you have any hobbies other than writing?

I absolutely love traveling to other countries and then trying to figure out how to cook the food I eat there.

18.)What are some of your favorite movies?

Raising Arizona, Rushmore, Man On Fire, Miller’s Crossing, Spirited Away, Harold and Maude, A Clockwork Orange, Princess Mononoke, Oldboy

19.) What’s your favorite ice cream?

I call it Twin Can Ice Cream. You need a small coffee can and a large coffee can, ice, rock salt, and ingredients for home-made ice cream. Put the ingredients into the small can and tape it shut, put the small can into the large one, surround it with ice and rock salt, and tape it shut. Then give the can to a pair of energetic twins to kick around, throw, roll, or whatever for about a half hour. At the end, you have some delicious home-made ice cream.

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11
Apr

BBC Worldwide and Kaimira

   Posted by: rettstatt    in kaimira, transmedia, writing

From C21Media:

BBCWW hitches its wagon to Star Farm
7 Apr 2008 Subscriber content
MIP NEWS: BBC Worldwide has closed a 360-degree development deal with Chicago-based kids producer Star Farm Productions, which will see it roll out the producer’s pre-teen property Kaimira across multiple platforms.

more (subscription required)

Tragically, I don’t have a subscription to C21Media, so I don’t know what the rest of the article says. The press release will, methinks, go out soonishly.

In other news, today I sent the final final first draft to Candlewick of the second book in the Kaimira series. The book is called THE TERRIBLE EVERYTHING.

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15
Jan

Kaza Kingsley and Erec Rex

   Posted by: rettstatt    in children's literature, fantasy, writing

Kaza Kingsley Blog Tour Day Nine

Note: I had the pleasure of reading Kaza’s first book, Erec Rex: The Dragon’s Eye, which was a great deal of fun. Fast-paced, lots of action and fantastic elements, and so much humor woven into the story and into the world. And now, without further ado, my interview with Kaza. If you have any questions or comments for Kaza, just post a comment here:

Kaza KingsleyI’d like to thank you, Chris, for hosting me on your blog! It’s a pleasure to meet you, as well. You had some great questions.

Congratulations on your new babies! Below I included a picture of me as a kid for your post. Readers can watch me grow older throughout the blog tour!

Which came first, the characters or the world they live in?

The Dragon's Eye

Before I wrote a word of Book One, I plotted the series for months. Some of the characters were invented right along with their world. The story is loosely based on the Hercules legend – which is set up in Dragon’s Eye and really becomes apparent more in Book Two, Monsters of Otherness. Erec’s name is similar to HERACule, Greek for Hercules.

Who Erec is, who his siblings and his adoptive mother are, and who Bethany is, are crucial to the story. They were very early part in its creation. But with that, at the same time, the world(s) in which they live were just as important, and had to be created alongside, fitting in with the characters.

Do you have a definite plan for Erec’s story?

Very much so. I know exactly where the series is going, how it ends, and what basically happens in each book. I find this necessary, so I can drop hints in early books for things that will happen later.

I will tell you that some of the structure of the series is based on the Hercules legend. Hercules had to do twelve labors – Erec twelve quests. He gets into these in Monsters of Otherness. So part of what will happen in future books is based on these quests.

Of course there are a lot of other things going on as well. Erec (and the reader) learns key things at certain points. I also had fun doing some other structuring. For example: the first contest in Book One is “The MONSTER.” The next book is “Monsters of Otherness.” Contest two was about figuring out the truth. The following book is called “The Search for Truth.” As you can guess, I have ideas about the following book titles…!

Have you had that plan from the beginning?

Mostly. There are actually some things I have changed as I went along. The most important things have stayed the same. But I’ll sometimes get a great idea, then I’ll get into my notebook and rewrite a lot of plot. I think, for me, writing is a process of constant plotting. There are always smaller bits to plot out when the big chunks are done. And I’m always coming up with new ideas to fit in.

How much has changed from concept to publishing?

Lots of unimportant things have changed. My first draft of Dragon’s Eye was over 500 pages long. It was cut down – and is better for it. But the essential, important part is the same.

Which character do you identify most with?

In the very beginning it was Bethany, as she is a girl and was drawn slightly from myself. But then, somewhere along the way, it changed. After spending so much time in Erec’s head I definitely identify more with him, now.

How did you get the idea for “cloudy thoughts”?

The Monsters of Otherness

Cloudy thoughts, to me, would be horrifying to have to deal with. Having some unknown force swoop in and make you do whatever you are told, even when you don’t know why you are doing it would be awful. Erec is afraid his cloudy thoughts may turn on him and make him do something terrible some day. If they did, he wouldn’t be able to stop himself. In the beginning of Monsters of Otherness, Erec attacked his own brother because of a cloudy thought, which was very upsetting to him.

I suppose I wanted to give my main character a “gift” that was truly difficult to deal with, yet something he could learn to turn around and make work for him. As the series unfolds, watch for this to happen!

What is your most valuable tip for promoting a book?

I’m still learning! Most of my promotional events have involved traveling, for signings, school visits, and TV and radio interviews (some of the TV ones are posted on the media page of my website at http://www.erecrex.com.) This blog tour is new for me, and it’s awfully nice to do an event from home – especially when I’m writing as well!

I guess my only real tip is keep believing in yourself and never give up. Getting out there is work – but you can make it fun. It’s really just meeting people – and I love that!

How did you feel about math when you growing up?

I wasn’t quite like Bethany in that regard – lol. I was all right at math, not great. I got moved into the advanced class to do algebra in eighth grade, but I didn’t do so well. So I repeated it in ninth grade and got an A.

Young Kaza Kingsley

But I must have some fascination with math, on some level. When I was in third grade I made up an entirely useless form of math that I liked to teach my friends when we played school. And the first story that I wrote (that I can remember) when I was little involved an octopus that made people do math. I still am fascinated by math geniuses, and loved that movie “Pi.” Go figure . . .

Your references to junk food and healthy food in the book were notable. What is your position on the issue of kids and junk food?

Funny – I don’t tend to think of it as “kids and junk food” as much as “people and junk food.” Our nation’s diet is so horrible (I know, no news here.) I am into the “raw food” thing myself, as much as possible – of course I still eat pizzas, meat and deserts when I feel like it. But I’m aware of how bad most of what we eat is. I think some of that concept sneaks out into my writing.

How much do your stories change between concept or outline stage and complete draft?

The main points don’t change much, and the story line stays pretty intact. But the development between my notes on plot and the actual rough draft is tremendous. That’s where the meat of the story gets formed.

I feel like the outline points, the plot points that I know will happen, are like guideposts for me. I know I am going from point A to B to C, etc. But how will I get there? There is so much left to work out, even page by page, it’s incredible. It feels like writing fiction is one constant decision after the next. How will he get somewhere? What does she say? What time of day is it? Planning the plot / outlining is just a rough start.

I usually don’t end up deviating too much from the basic outline, though, since each book is part of a global series which all fits together as a whole. I have some room to make changes, but it has to be cohesive, too. The books also have a few subtle patterns that I try to stick to as well.

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14
Jan

Joe Hemingmouse

   Posted by: rettstatt    in kidlitosphere, writing

Joe Hemingmouse, created for JacketFlap by Peter Hannan.

Joe Hemingmouse

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31
Dec

Fiction Writers Discuss Publicity

   Posted by: rettstatt    in writing

I joined an online group a few weeks ago that’s proven extremely helpful. It provides the sort of help for free that a writer would normally have to pay good money for.  Here is the info:

This group is for contracted or published novelists to discuss publicity tips on promoting their books. Included will be branding, methods, how to create successful events, cross promotion and other publicity tips. This is not for spamming the list with book advertisements, but rather a place to brainstorm and get tips on promoting your book.

To subscribe send email to:  fictionwritersdiscusspublicity-subscribe@yahoogroups.com

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Dumbledore I know the train’s pretty much left the station on this topic, but I wanted to jump on board anyway with my hobo bag and two cents. And it’s also an excuse to show some of the fun pictures that have resulted from the frenzy.

I followed a fascinating discussion on the child-lit listserv about Rowling’s obligations regarding gay characters, and a related discussion about whether Rowling can even make that decision for readers.

On the one hand, the discussions made me feel a bit like I was back in my old litcrit classes, which I did well in, but which always made me feel like I’d left my gravity boots at home.

If something isn’t written into the story, can it be a true part of the story?

What is an author’s obligation when dealing with something that’s politically charged?

Does the author even have the authority to say what’s true and what’s not about her story?

I wriggled my way out of litcrit and into creative writing for a reason, and for the same reason I don’t want to get tangled up in these topics. Nothing against them — I did find the discussion to be (largely) smart and interesting. But it’s just not the angle I’m primarily interested in. And a post by Roger Sutton, editor in chief of The Horn Book, summed it up nicely and pithily enough for me.

But I do want to add a couple of things to the overall discussion.

First, it’s important to read the actual transcript of what Rowling said. Context matters.

She said “My truthful answer to you… I always thought of Dumbledore as gay.”

She seems to be leaving a door open for readers to bring their own interpretations to the character.

However, she then went on to hammer a number of nails into the story. With each “announcement,” with each pound of the hammer, she closed off avenues of imagination for her readers.
This is the second thing I wanted to talk about.

Rowling also did this with the epilogue in Deathly Hallows, which is why you find entire communities of devoted fan fiction writers making a pact to ignore the epilogue — essentially removing it from canon by mutiny — and writing their own epilogues.

I understand the impulse of a writer to stay in control of the story. The idea of fans making it their own can be unnerving.

Dumbledore Is Gay lolcatBut (in my humble opinion) when you are dealing with today’s generation of readers (particularly the younger ones), who are accustomed to inserting their own will into the media they consume, a good story belongs at least as much to the fans as to the author. A good story needs open spaces for readers to stick their own flags. It needs unwatered seeds, unfollowed threads, and characters with potential that transcends the author’s own imagination.

And a good story needs an author who admires and respects what the readers bring to the story.

After all, when an author describes something in a story, she is not transferring her own experiences and images into the minds of readers. It’s impossible, no matter how many adjectives she uses. Rather, the author is trying to make something flower inside the reader’s mind, from the reader’s own experiences and images, from the reader’s own soil, water, sunshine.

The author can hope that the image that flowers in the reader’s mind is similar to his own. Or he can hope that their version is even richer, more personal, more powerful.

If an author can’t control even how a reader sees a particular scene, it seems vain to attempt authority over so many plot threads.

The Harry Potter series had enough open spaces to spawn a fanfic leviathan. My personal feeling is that Rowling should have left it to her fans to continue filling in the blanks.

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2
Nov

Kaimira Book One: The Sky Village (book cover)

   Posted by: rettstatt    in fantasy, kaimira

Finally! The book cover. Of the book that I’ve been working on. For the past very long-seeming time.

I’ll post it here soon, but until then, go over to Amazon and click on “see larger image.”

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6
Oct

Kidlitosphere Conference Schedule

   Posted by: rettstatt    in kidlitosphere, writing

FRIDAY, OCTOBER 5: Very informal pizza or other dinner for whomever is in town hanging around. Meet around 6:30-ish.

SATURDAY, OCTOBER 6: Conference.

7:45-8:00: Check in. Pay your registration fees if you haven’t already, get your name tags and your Who’s Who cheat sheet. (We’ll have coffee and continental breakfast.)

8:00-8:10: Intro to the conference.

8:10-9:00: Kidlit Blogging, Part 1 (led by Tasha Saeker and others): How to get started, how to get ARCs, how to do reviews, how to do author interviews, what blog formats seem to work best, etc. There’s a lot of experience in this group, and I’m hoping many of you will have tips to offer.

9:10-9:45: Podcasting 101 (led by Mark Blevis and Andrea Ross): The how-to’s (and why-to’s) of creating and posting podcasts on your site. I just did a podcast interview on Friday–it’s the wave of the future, baby!

10:00-11:00 (room #1): Cybils Forum.

10:00-11:00 (room #2) Blogging for Authors (led by Robin Brande, Gregory K, Barry Lyga): websites, blogs, MySpace, why to, how to, the different philosophies thereof (sales & promotion, connection with readers, daily writing exercise, can’t stop talking, etc.).

11:10-12:00: Promotion Ideas for the Kidlitosphere (led by Jen Robinson): Brainstorming ideas for increased promotion of the
kidlitosphere as a whole, as a resource for readers/parents/ authors.

12:00-1:00: Lunch on your own (not alone on your own–you can find friends).

1:10-2:00: Kidlit Blogging, Part 2–the business side (led by Pam Coughlan): Brainstorming tips to improve your blog, attract more
traffic and links, keep your blog (and yourself) fresh, and generally kick it up a notch.

2:10-3:00: Kidlit Blogging, Part 3–the creative side (led by Anne Levy): How to establish your “voice,” how to maintain your writing quality, what makes for a good review, how to hone your reviewing skills.

3:10-4:00: The Ethics of Reviewing (led by Liz Burns): What do we do about personal relationships/potential conflicts of interest, “bad” reviews, copyright, and other ethical issues?

4:00-5:00: Meet the Authors (hosted by Esme Raji Codell of PlanetEsme). A chance to have a little one-on-one with some of the authors–a time to chat, interview, question, inspect.

5:00-6:00: Go away. Relax in your room. Brush your teeth, spiffy up.

6:00-7:00: Cocktails/mingle.

7:00-9:00: Dinner! Prize giveaways! Fun!

SUNDAY, OCTOBER 9: Brunch off-site (directions to be provided Saturday night), hosted by Esme, for anyone not leaving at the butt-crack of dawn. 8:30-11:30 AM–come for all or part.

For more info and RSVPs…

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1
Oct

Book research in Brazil

   Posted by: rettstatt    in writing

I spent this past winter in Brazil, doing character and location research for my series. I spent a lot of time on a mountain in the middle of nowhere. On the mountain there is an orphanage, about 60 kids from the big city favellas. I volunteered there.

Also on the mountain was a buddhist “retreat” run by a German-Brazilian family, and I stayed there when I wasn’t at the orphanage.

I’ll talk more about how Brazil fits in to the series at another time, but I wanted to share a few of the photos.

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30
Sep

1st Annual Kidlitosphere Conference

   Posted by: rettstatt    in storytelling, writing

Check out where I’m going next weekend (wanna go, Izzy?):

For writers, readers, and independent thinkers–book and story reviews by writers and readers, writers’ motivational articles, war stories from the publishing trenches, literary trends, religious controversies, free chocolate, and more.

Read more  

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