Posts Tagged ‘yauthor to yauthor’

29
Mar

YAuthor to YAuthor: Interview with Shannon Hale

   Posted by: rettstatt    in children's literature, fantasy, kidlitosphere, storytelling, writing

The other book I was pulling for in deliberations for this year’s Cybils award was Book of a Thousand Days, by Shannon Hale. For me, this book was all about the details: the grit of daily life in the tower, the details of Dashti’s previous life on the steppes, the relentless believability that ran from the first page to the last. It was a fantastic story, and I’m so glad it was one of the two winners in the fantasy / science fiction category.

Shannon has two young children, and so I promised to keep the interview short.

Chris) How did you go about researching Mongolian culture for Book of a Thousand Days?

Shannon: My parents lived in Mongolia for a year and a half, so I had some great first hand knowledge, and I sent questions for their Mongolian friends. i also read books, especially the fantastic Ghengis Khan and the Making of the Modern World.

Chris) In Book of a Thousand Days, how satisfying was it to heap so much hardship on a fairytale princess?

Shannon HaleShannon: Ha! Yes, there was some of that. I wanted to make sure I was being honest, and fairy tales sometimes slant things in favor of the well-born. One attraction of this story for me was its difference from Goose Girl–a chance to see a maid’s POV and hear her voice.

Chris) As a father of 7-month-old twin girls, I have to ask: how the heck do you get any writing done? (I’ve finally learned to hold one on my lap while I’m typing, but the problem is she starts typing too).

Shannon: I don’t actually write anymore. I bid on manuscripts on ebay and hope I win. No, it’s all a balancing act. I take a little time here and there. No waiting for a muse–grab whatever time I can! And I’ve slowed way down. I get into more detail about that on my site: http://www.squeetus.com/stage/mince_mother.html

Chris) What are you working on now?

Shannon: My husband and I co-wrote a graphic novel for young readers, Rapunzel’s Revenge, which will be out this fall (the illustrations are so freakin’ cool). I’m working on a fourth Bayern book and a new contemporary book for adults.

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16
Mar

YAuthor to YAuthor: Interview with Adam Rex

   Posted by: rettstatt    in children's literature, writing

I’m starting a new feature called “YAuthor to YAuthor,” a series of interviews with other authors of Middle Grade and Young Adult books.
As a judge in this year’s Cybils, I was pulling for Adam Rex to win with THE TRUE MEANING OF SMEKDAY, which was one of my favorite books of 2007. Hilarious and heart-warming, which is a tough combination to pull off.
YAuthor to YAuthor with Adam Rex
Chris: Why do you prefer working on books for kids?
Adam: Well, I like reading them, though I read at least as much adult fiction and nonfiction as well. Maybe it’s because, when I write, I naturally lean toward genre stories of some kind or another. My impetus for writing tends toward ideas like, “human and alien come to terms with each other and forge a relationship against the backdrop of massive alien imperialism,” rather than, say, “humans come to terms with their disappointing lives and forge unhealthy relationships against the backdrop of an age of crippling ennui.” The former is typical kid lit, the latter is adult lit. I don’t know how to write the latter.
Chris: You seem to have more ideas than you have time for. How do you decide which ones you want to spend time on?

Adam: I don’t, frequently. The position of MOST PROMISING is something that a lot of my ideas take turns occupying. It’s very democratic. But some ideas are just lightning, and can’t be ignored.

Chris: Was there a moment when you felt like you had “arrived” as an author or illustrator?

Adam: I felt pretty good a year or two ago when people in the industry, librarians and booksellers and people in publishing, began to know who I was without my explaining it first. Once a librarian recognized me by sight alone. I understand now what a seductive feeling that can be, but as long as it’s happening primarily at book expos or conferences I’m pretty comfortable with it. When it starts happening at the supermarket I think it’s a problem, but then again I’m only an author, so it’s not a problem I’m likely to have.

Adam Rex’s cats

Chris: Are you a cat person?

Adam: I don’t really make a philosophical choice between cats and dogs, but I have no dogs and two cats, Little Nemo and Dr. Simon Dicker.

Chris: What did you think when THE DIRTY COWBOY was banned at W.C. Andrews Elementary?

Adam: Not a lot. There is a sort of thrill that comes from being banned, from being in the company of Sendak or Twain or the Apostles. And I’ve never known a book banning that didn’t raise interest in the book in question. So I can probably thank the school for a couple sales I wouldn’t have made otherwise. Otherwise, book banners just make me feel tired and full of pity. They have to be frightened, unhappy people who have entirely lost the connection with their childhood selves.

Chris: You seem to have successfully made the transition from illustrator to author/illustrator. Is there anything you miss about illustrating other people’s stories?

Adam: Not at all–I’m illustrating another author’s picture book right now. If a manuscript is great, I want to be a part of it. In an ideal world, I already am because I wrote the thing. But if that can’t be the case, I can at least illustrate it.

Chris: What are you working on now?

Adam: The debut book by author Mac Barnett, to be called Billy Twitters’s Blue Whale Problem. So lots of paintings of whales, and whale maintenance.

Chris: How do you say “Please pass the horseradish” in the Gorg language?

Adam: Hmmm…that would be…BAFF G’TA TODF’DAQIFT! You’ll notice I omitted the word “please.” It doesn’t really translate.

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